art, artwork, asrt, computer art, daily painting, digital art, digital paintings, humor, rocks, still life

Daily Painting No.67- Painting can ROCK at times

rock painting of a rocky rock with strong emotions of love an peace to the world and also this rock is a super hexagon champion

Meet Rock. Engineer, author, movie star, philanthropist, and future president. I’m honored to have Rock in my presence to paint. It was amazing! He stood perfectly still! True Story: I was walking my dog at dusk. When the walk was finished I realized that I was going to paint rocks this week (Why rocks? Painting a small rock = painting a cliff or rocky mountain), so I grabbed random rocks in the dark and brought them home. For this painting I just used the stock soft round that comes with Photoshop. Self Critique: edges need to be sharpened up more.

Feel free to give feedback and more rock puns.

Time Spent : 1 hour and then some
Created from scratch in Photoshop using a wacom tablet.

allosaurus, art, artist, artwork, black and white, computer art, daily painting, digital art, dinosaurs, fantasy, finished painting, painting, photoshop, still life

Daily Painting No.60 – Allosaurus in a Jar (Compleated Painting)

dino allosaurus t-res in jar captured scaly dragon scary

After a little under 5 hours, I have finally finished this painting. My black and white still life project is completed.  For one month I painted 12 still life paintings. I clocked in a total 22 hour painting these. I my goal was ten still life paintings in one month, I went two beyond my quota :). I felt I have jumped a substantial hurdle in my painting, and that was details and refinement. I will continue to paint a still life or two a week to keep the skills I’ve learned sharp and with hopes that I will learn even more. Let me know what you think of the final painting. Any comments and critiques are welcome. Thank you for bearing with me for the last 4 days with this painting. I have a painting to put in my portfolio.

Here is a picture of the progress I made to paint this:

dinosaurus progress

3d, 3d art, anthorpomorphic, anthropomorphic, artwork, book, book review, books, computer art, Daz Studio, daz studio book, dragons, furry, unicorns

“The Complete Guide the DAZ Studio” Book Review

dragon attacking egg thieves dragon centuar
Daz studio is a great tool for artists who would like to setup test shots and compositions for researching ideas for projects, for example a illustration. The Dragon and Unicorn are heavy altered genesis models I made using a external 3d package. The clothing was also made in a external 3d package. The centaur dragon monster is the SubDragon and Genesis model combined inside DAZ Studio. The Props are stock scenery that came with DAZ Studio and Poser. (C)2013 Maugryph

“The Complete Guide the DAZ Studio” by Paolo Ciccone was provided to me by the publisher. I was intrigued by the book, since I haven’t seen many books dedicated to learning Daz Studio. Please note: Although I am certainty not a professional critic by any means, I was willing to give my best to make a solid unbiased review.

4087_cover

I will discuss each chapter of the book, and what I found interesting within.

I was going to skip the first chapter, being well antiquated with DAZ. But thankfully I didn’t because it showed me how to stop DAZ from loading the genesis figure in the scene at start up. I would always have to take that extra step in deleting that stupid thing. I been using DAZ for one year and didn’t even know I could do that. I feel like an idiot. The rest of the chapter covers the basics of adding a figure, adding clothing and hair, setting up the clothing to conform with the figure. and finally how to pose a figure.

Chapter Two focuses on customizing the DAZ user interface which is in my humble option one of the worst UIs to ever grace a 3d program. The author shows you how to change the interface to get more screen space and to make the program more bearable. He also shows how to customize the shortcut keys. Although I knew most of this stuff from tinkering with the settings. I do encourage anyone who is serious about working with this program to follow this chapter and save your self some headaches.

Chapter Three is the most important chapter for a beginner. The book shows you how to take a figure and pose it both the parameters and the gismos. One important point the author made, is ALWAYS use a reference for you pose. It is very easy to distort the model and make a pose the feels entirely unrealistic and uncomfortable.

Chapter Four is all about Morphs. Morphs are the meat and potatoes of DAZ studio. The book shows you how to take the base genesis mesh and turn it into different people and creatures using built in morphs. From a woman to a monster. I doesn’t go into detail on how to make you own custom morphs with a external 3d program. That is a disappointment. The true power of genesis is the ability to export the figure and modify it in an external 3d program. This allows you to make something unique that doesn’t look like it came from out of DAZ and Poser.

Chapter Five is about setting up your cameras and lighting in your scene and how to render them into an image.

Chapter six shares some websites where you can buy pre made content and how to install you purchases into DAZ. I’m not big into buying pre-made content. I enjoy making my own, or modifying what I have. This chapter also has some useful tips on installing for those who are beginners.

Chapter sever goes into more detail on how to control the cameras in a scene. How to organize your content in the content library. Especially useful in this chapter is how to import objects from other 3d software packages into your scene and getting it scaled correctly. It also mentions setting up the textures on obj files.

Chapter Eight guides you though the process of making a full scene and addressing how to fix issues with clothing not fitting the model and goes into more depth about adding materials and Uvs. Strangely enough this short bit is all the information on materials provided on the book. It would of been nice to have a complete chapter on the subject.

Chapter Nine concerns lighting. The author makes it clear for the reader not to use lighting just as a way to illuminate an object and makes a point that you can use lighting to hide things as well. Lighting is an artist tool that can make your scene more dynamic. It would of been nice for the author to go into more detail, as the information is rather basic.

Chapter Ten is solely concerned with the author’s own rending plug-in ‘Reality’. It uses the LuxRender open source renderer. Reality allows you to render more realistic images then the crappy built in renderer. Although he said he would be objective in this chapter concerning his own plug-in, he failed to mention his competitor’s plug-in Luxus.

Chapter Elven the author shows you, step by step, how to make a custom dress in a commercial 3d app called Modo. I was impressed with the author’s ability to simplify something so complex for a beginner. It shows how export the model out of DAZ to use as a reference, polygon modeling, slicing UVs, making texture maps. For a year now, I have been making morphs and customized clothing in Cararra and Hexagon. It was interesting to see his work flow compared to mine. The author bypasses setting up any custom clothing riggs, another missed opportunity.

Chapter Twelve, the final chapter focuses on animating your characters in DAZ Studio. I personalty hate animating in DAZ as I had so many issues with it. The chapter explain basic animation concepts such as key-framing.

Although most of content in this book I’ve already known from struggling with the program for a year. It would of saved a lot of frustration and time if I had this book when I first started using DAZ3D. I only wished the author would of went into more detail on making customized morphs. Regardless, the author’s writing is very clear and easy to follow. My hat goes off to him for his chapter on making custom clothing , that is a complicated subject that he has explained with relative ease.

I recommend this book to any beginner who is interested in using DAZ Studio to make 3d imagery, although I wish it had a bit more information on materials, and that he wasn’t so biased about his own plug-in. However if you a expert with DAZ Studio, you probably know most of what’s in the book already.

I was given a copy of this book to review by the publisher.

If you interested in finding out more information on the book, visit the Packt website at http://www.packtpub.com/the-complete-guide-to-daz-studio-4/book or on amazon http://www.amazon.com/The-Complete-Guide-DAZ-Studio-ebook/dp/B00FWIP0T6.

3d, 3d modeling, 3d sculpting, anthro, art, artwork, cg art, computer art, creatures, dragons, fantasy, humanoid, mudbox

Humanoid Dragon in Mudbox WIP v2

humanoid dragon face zbrush mudbox sculpture

I brought my 3d sketch into Mudbox, a more professional 3d sculpting program. I was able use the Retopography tool to turn my sculpture into a quad mesh that was sculpt-able. So far after a bit of messing around was able to put a couple more hours into the figure. It’s far from done unfortunately and I need to finish my wyrm in a jar painting before I do anything else. I will attempt my first 3d illustration after by create separate models and then posing and combining them into one scene.

Because I am a student, Autodesk provides non-commercial 3 year licenses of their products to students. I wanted to learn Mudbox for quite some time. One thing I must say is that it much easier to use then zbrush ( I tried Zbrush a long time ago when they still had a trial version of their software. The crazy UI drove me insane! And I thought Blender’s UI made no sense. I have no clue if the new version has a improved UI or not). I also download Maya since my future class will requires that program.